Somewhere amidst a piano keyboard, a dataset, and a Figma file—I haven’t yet found a universal definition—chasing connections between code, design, and music.

2026 © Sabrina Laneve

Bio

As a multidisciplinary figure, I am drawn to exploring the expressive possibilities of algorithms, bridging my interests in digital media, music, animation, and code.

Currently at Accurat I design and build interactive dataviz and digital experiences, working across design and tech teams with the goal to improve workflows and introduce tech-driven innovation.

I worked with global clients ranging from cultural institutions, tech companies, start-ups, food companies, NGOs, private foundations, often in collaboration with multi-disciplinary design studio Pentagram.

I hold an academic background in Cinema and Media Engineering and Classical Piano Performance.

Skills

frontend, low-code frontend, ux-ui, creative coding, data visualisation, data sonification, r&d, digital musicology, AI, motion graphics, VR, game development, video editing

Tools

Figma, Framer, Tailwind, Shadcn, React, Svelte, Storybook, p5js, D3js, Mobx, Touchdesigner, Max/Msp, Motion.dev, Rive, Lottie, Three.js, Cavalry, Spline, Blender, Adobe Suite, Unity, Python, Java, C, C#

Experience

Now

Design Engineer, Creative Dev

Accurat

2024-now

Web Editor (pro bono)

Analitica

2023-2025

Frontend & Framer Dev, Creative Technologist

Triplesense Reply

2022-2023

Freelance Researcher

Digital and Cognitive Musicology Lab (EPFL)

2021-2022

Dataviz Developer Intern

Accurat

Publications

Laneve, S., Schaerf, L., Cecchetti, G. et al. The diachronic development of Debussy’s musical style: a corpus study with Discrete Fourier Transform. Humanit Soc Sci Commun 10, 289 (2023)

Reach out at

2026 © Sabrina Laneve

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